continue on with the left, finally adding both hands. The formulas and arpeggios for
the right hand will be played over a 4-note CM7 chord (and it's inversions).
D. Carbajal once told me in class, "the right hand should be considered as a
string quartet..." (thumb or p: the chello; index or i: the viola; middle or m: violin 2;
ring finger or a: violin 1). "Protagonism among the 4 instruments changes and
varies depending on the musical circumstances of a particular piece." That means
we have to be able to find the right balance avoiding the bass strings to"drown out"
the treble strings.