Federico Moreno Torroba "Sonatina" Allegretto (first movement)

Federico Moreno Torroba (1892-1982), Spanish composer born in Madrid, Spain, com-

posed both vocal (Zarzuelas or Spanish operettas) and instrumental works. He is

known for his contributions to the classical guitar repertory during the first third of the

third of the twentieth century and he was the first non-guitarist to write for guitar.

His compositional style is closer to C. Debussy instead of the avant garde tendencies

present in Europe at the time (Wagner, Serialism). The Sonatina in A Major, written  in

1923 and dedicated to the previously mentioned Segovia, was the Spaniard's first piece

for solo guitar.

The Allegretto has a total of 100 bars is in classical sonata form and the musical phras-

ing is based mostly on a tonic-dominant motion. This ternary structure formed by an 

exposition, development and recapitulation (each having thirty measures each) is 

followed by a ten bar coda. 

Apart from the YouTube link, this post includes a harmonic outline of this first move-

ment of the Sonatina. Click on Read more...

Manuel de Falla's "Homenaje a la Tumba de Debussy"

Manuel de Falla (1876-1946) was one of Spain's most distinguished and internation-

al composers during the first half of the 20th century. His composition style includes

Impressionism, neo-Classicism and Nationalism. It was composed to commemorate 

the death of C. Debussy who died in 1918 and had helped Falla establish himself in

France. Homenaje pour "Le tombeau de C. Debussy" was  the only piece composed

for solo guitar by Falla and was dedicated to his friend Miguel Llobet (one of 

Francisco Tárrega's students). He would later arrange it for piano and then orchestra

(1938-39). It was written in 1920 (Granada, Spain) and published two years later in

the magazine "Revue Musicale". This video was recorded at SFSU's Knuth Hall on 

Sat. December 7, 2019 during my Master's Recital.

  

  

      

       

SFSU Chamber Music Recital Dec. 7, 2019

San Francisco State Chamber Music Ensembles are coached by the Alexander String
Quartet whose members are Zak Grafilo (violin 1 and conductor), Fred Lifsitz
(violin 2), Paul Yarbrough (viola) and Sandy Wilson (cello).
On Monday, December 9, 2019 at the Knuth Music Hall, Astrid Cifuentes -soprano-
and I played two songs from the early and late Renaissance.
Con qué la lavaré by Luis de Narváez (1500-1550) was first published in Valladolid,
Spain in 1538. It comes from volume V of Los seys libros del Delfín de música de
cifras para tañer vihuela; a six volume collection of music for the vihuela de mano.

San Francisco State School of Music Master's Recital

Little Prelude in C minor, arr. for guitar in D minor J.S. Bach: Harmonic Outline

It was originally composed for the lute-harpsichord (lautenwerck)  between 1717-

1723 and later adapted to other instruments including the lute of which a transcrip-

tion for guitar exists.

This piece of music is so interesting because it starts in D minor and ends on its
dominant in preparation for the next piece. This was a compositional device Bach
used frequently in his preludes (WTC Book 1 and 2) and chorales.

However, A minor appears to be the predominant key since it takes up a total of
nineteen consecutive bars giving way to A major briefly in measures 34-38 which
later comes back at the end of the prelude but now as the previously mentioned
dominant.

Note the presence of three pedal tones: the first is a tonic pedal (m.1-7), the second
is a V/V pedal tone (m.17-32), and the third is a dominant pedal tone of the home
key of D minor.

YouTube link: J.S.Bach Prelude in D minor

The Importance of Good Right Hand Technique

                     

Francisco Tárrega (1852-1909)