The Tremolo Technique is one the most basic classic guitar techniques for the RH, yet it's arguably the most difficult to perfect. Under normal circumstances, the p -cello- plays the bass strings (E,A,D), the i -viola- plays the G, the m -violin 2- plays the B, and the a -violin 1- play the E. I consider the fingers of the RH equivalent to a well balanced string quartet.
Wether the tremolo be played on a single string or on various strings, there should be at least three things to look out for. Namely, no arm movement, no interruption in tempo, and evenness in sound coupled with correct accenting.
The p crossing over to the treble strings will be featured in this post. This string crossing is something similar to when pianist exchange hands while playing (the RH plays below middle C and the LH plays above forming an X). For the guitar, an excellent example of this technique comes from Kitharologus, published in 2009 by R. Iznaola. This extract from Exer. No. 58 (Level VI) is difficult at first, but it's a different and practical way to improve the Tremolo Technique.
I've also included two variations. The second variation focuses on the string crossing with the p. Alternate attacks should be used (free and rest stroke) along with the use of rhythmic variations (short - long notes and long- short notes). Varying the dynamics and tempo can help us shed more light on the same exercise.
No comments:
Post a Comment